Sunday, May 24, 2020

Post Pandemic: A ghost story

As a cast member of Ghost Stories Live! I've been asked to write a ghost story for a video GSL! that will be recorded next Saturday and most likely put on YouTube. I was told to make it a post pandemic ghost story, so here it is for the first time. I wrote it Friday night, May 22nd and just finished editing it this morning:


POST PANDEMIC by Susan Buffum



Somewhere inside me I still possess a shred of decency. I know this only after the fact, as I’m crouched down beside the greenish water of the river trying to wash the blood and gore off my grimy hands. I beat a lame, feral dog to death with a brick. I just kept bashing its head with the brick. It yelped and tried to wriggle away but some other animal had ruined three of its legs. It had one white paw. “I’m sorry. I’m sorry,” I'd said each time I’d struck it. “I’m sorry.” I avoided looking into its eyes. But I can’t avoid looking into my own eyes as the bloody, agitated water flows away and I catch my reflection on the surface of it. I reach up and shove my hair back, barely recognizing the shadowed eyes, the hollow cheeks of the face staring back at me. I can’t remember when I had a haircut last. My clothes are torn and filthy. I wear them now until I can’t stand the stench of myself any longer. I’ve been reluctant to jump into the river ever since that day I was bathing and saw what I thought were tree branches, birches, drifting toward me. It turned out to be a tangled mass of rotting corpses, their skin the white of a fish’s belly, bloodless wounds gaping. Just a tangle of arms and legs riding along the surface, the bodies a jumble beneath the water. I’d screamed like a girl, paddling and splashing my way back to the river bank, shivering as I’d hauled myself out of the water, terrified that I’d become infected by the virus that had killed those people.

“Jesus,” I said, shaking my head as I stood up, eyes scanning the hulking mills across the river. I’d lived in one of those mills last year for about three weeks. When Lou died, I got out of there. I found another place to camp, alone. It was still a little difficult back then to find someplace safe. Now, you can pretty much walk the streets and not see another living soul. It’s a ghost town.

I don’t know if there are others still alive. I sometimes glimpse figures through grimy panes of glass, shop front windows that survived when looting became the means for survival. The only reason to break into a travel agency, a nail salon, or a massage parlor was to find a clean place to sleep. You busted the window out of the back door and got in that way, not by breaking the glass in the front windows. That glass was a barrier between you and them. You hid in the basement and prayed all night that no one else would break in. People carried a hammer and lots of nails in their backpacks back then so they could grab whatever scrap boards they could find to cover over the broken door windows, to keep others out.

I don’t go into town much anymore. I wander around the fringes. I sometimes see dark figures just standing in the shadows of buildings, trees, on porches of houses where there are no signs of life. If I blink, they vanish; just melt away into the shadows. I don’t know if these figures I see are real people or phantoms. I don’t really want to know, but they’re always watching me. Maybe they’re just biding their time waiting for me to join them. But I’m still breathing, still surviving.

I do what I have to do to survive. Like killing the feral dog. I’m hungry. But right now I feel sick after beating the dog to death. I don’t want to deal with skinning it, gutting it, hacking it up, building a fire, roasting chunks of it over the flames, eating it. The thought of that makes bile rise up the back of my throat.

Right now, I need to walk among the ghosts. Some of them, I’m pretty sure, are people I knew back before this all started. My geometry teacher seems to haunt the open garage of his house on Washington Street. I heard something metallic, like a wrench fall on the concrete floor once. It made me jump and then run. It’s better not to know, believe me about that.

I pause to sit on the steps of the church across from the bank. I’m tired. I really need to eat something and then get back to my current burrow. That’s what I’m calling it, a burrow. I don’t like being inside places anymore. They’re all haunted by something or someone. I’ve heard footsteps, whispering voices, sudden groans and cries, things being dropped or dragged. Every shop, every building, office, church, house…every place ever constructed for human occupation is now haunted by the dead. Tens of thousands of dead people.

Sometimes I think I’m losing my mind. Maybe I am. Stress. Watching your loved ones die. It’s probably post-traumatic stress. Making street friends and watching them die. Dodging something you can’t even see, something microscopic and deadly, never knowing if it got on your clothes, your skin, in your nose, or mouth, or eyes. It can drive you crazy with worry.

I saw street brawls over hand sanitizer, people half crazed, armed with knives, boards with nails driven through them, baseball bats, whatever they could get their hands on, beating on one another over something they considered a prize, an item of salvation. I saw the bloodied, battered winner holding their prize close as they staggered away from the groaning, moaning tangle of bodies they had emerged victorious from. Less than two weeks later I was steering clear of the winner’s body lying in the hallway of a long abandoned doctor’s office. I’d gone in there to see if there was anything left to treat an infected blister on my toe. I needed new sneakers. These were too small now. I’d found the body by stench alone. I got out of there fast, afraid that the virus was hanging in the air. I worried myself sick thinking I was going to die. But I didn’t get sick. I’m still here.

I blink sweat from my eyes, brush hair away from my face, and lock eyes with a woman standing across the street. I don’t know where she came from. It’s like she just materialized out of thin air. There’s a breeze. It doesn’t touch her clothes. It doesn’t run its fingers through her long hair. She’s static. Just staring at me. I flip her the finger. No reaction. A cold shiver runs down my spine. I turn my head because she seems to be staring not at me, but at something behind me. From the corner of my eye I see a dark form. With a yelp of terror, I leap up and try to jump off the steps to the sidewalk, but something grabs me by the shoulder and I can’t move.

“Let go!” I cry, my heart beating so hard I’m afraid it’ll bust. “Let go of me!” I’ve already lost it and am screaming, writhing, twisting, trying to wrench myself free of the hand gripping me, holding me in place. How can something so thin, so bony and so much like a talon with long, yellowed nails possess so much force?

I twist my head around, look up, and yell in terror. It’s a man with thinning gray and white hair that falls nearly a foot past his narrow shoulders. He’s like a skeleton dressed in a black robe. “Be still. I am merely offering you sanctuary,” he says in a deep but soft, raspy voice as if he’s just walked across the desert. “Come inside. She can’t touch you inside.”

“I need to go. Please! Just let me go!” I cry, slanting my eyes sideways only to find that the woman has moved. She’s now on the island between the east and westbound lanes of the avenue. Closer, I can see the ravages of the virus carved into her gaunt face. Her mouth gapes open. She’s missing teeth. “Are you real?” I ask. “Are you a real person?”

“I shelter the children, I keep them safe. Come with me.”

She’s drifting into the travel lane now, edging closer. Her eyes look as if they’re filled with fog. As she steps up onto the sidewalk I nod. “Don’t let her touch me! Don’t let her take me!”

I’m hustled up the granite steps and although I am resisting, distrustful, balking, I find myself being pushed ahead of the man into the foyer of the church. He lets go of me and I stumble a few feet further inside, then spin around to be sure she hasn’t followed me in. He’s slammed the heavy, red door shut, turned a huge, brass key in the lock that he removes and slides into a deep pocket in his black robe. Then he lifts a long piece of timber that looks hand hewn and jams it behind heavy metal brackets to barricade the door. There are just tiny windows in the doors with glass panes laced with diamonds formed by lead that give them a medieval appearance.

He turns to me. “Go into the sanctuary and sit down.” I shake my head, apprehensive now. I don’t like being locked inside a building. “You’ll be safe enough there.” He is staring at me. I can’t tell if he’s angry or if it’s just the lines suffering has carved into his face that give him that look. “There’ll be bread and soup shortly.”

Food. My stomach is gnawing itself with hunger at the moment. I haven’t eaten in over two days. Desperation made me kill the dog. That and the fear of starvation drove me to kill it. “I killed a dog,” I say. He blinks. Ghosts don’t blink. They just stare at you through dead eyes. “It was crippled.” He continues to stare at me. I squirm, aware that it’s a sin to kill. “It was suffering. It wouldn’t have been able to survive. It couldn’t hunt.”

“Go and find a seat. I’ll be with you shortly.” He turns, goes through an arched doorway, closes the door and I’m suddenly alone in the foyer. I hear a scrabbling, scratching sound on the other side of the front doors. That makes me back up into the next room. It’s like a hall of sorts with a fireplace. I'm still facing the secured front doors. To my left, through paned glass doors I see another fireplace, couches. It’s like a granny’s living room in a big old house. I turn my head to the right and see open, arched, double doors with windows similar to those in the front door. There is an aisle, pews down either side, an altar, a stained glass window straight ahead, a cross. I hear whispers, scuffling. There’s a quick giggle, a shushing hiss. “Hello?” I say as I slowly approach the open doors. “Who’s there?”

“The children,” says a woman’s voice from behind me. I spin around. At first I think it’s the ghost that’s gotten inside somehow, but her eyes, although circled in purple and gray, are not clouded over. “Go wash your hands. Bathroom’s in that hall back there. Water runs. Doesn’t get hot though. Come back here after and take a seat. Food’s coming.” She turns. I have to follow her a ways to where she’s told me the bathroom is. She goes down a staircase. I catch a whiff of something that smells like food before turning the corner into another hallway. There’s a row of doors on the left, two open doorways on the right. I open the first door on the left and find it’s a rest room. Slipping inside, I walk to the sink and twist the cold tap. Water gushes out. It’s mesmerizing. I suddenly remember brushing my teeth, washing my face and hands before going to sit down for dinner with my family. My family. I bend over the sink gasping, feeling as if I’ve just been punched in the gut. Whatever happened to my family? I can’t remember!

I hold my hands under the tap. Water flows over them. There’s no soap, so I just rub them together as hard as I can while wishing the ingrained grime to go away. I'm always filthy.

I twist the tap off, shake droplets of water from my hands. They look a little cleaner. There's nothing to dry them on, so I just keep shaking them, droplets of water falling onto the tile floor as I walk to the door. As I reach for the handle to tug it open I hear voices approaching in the hallway, a woman and a man; the man in the black robe whose voice I recognize, but it’s not the woman who told me to wash my hands.

“He’s scrawny, but he should feed them when he’s boiled down into a nice soup. Let him have a bowl of broth and a slice of bread with the others, then I’ll bring him downstairs, tell him he’ll be bunking in one of the classrooms. He’ll be more agreeable with food in his belly. He’s an antsy one.”

Their voices fade as they turn the corner. I stand behind the door, my heart lurching around. My mind is reeling, but I do know one thing and that one thing is that I’m not going to stick around and let them boil me down into a broth to feed whatever is in that sanctuary that they’re keeping alive.

A minute passes. I can't wait forever. I saw an exit door at the end of this shorter hallway. I slip out of the bathroom as quietly as I can, walking as silently as possible on the tile floor toward the door. There's a window in this door with wire embedded in the glass. “Boy? Where are you? Come along now! Come eat your supper and then we’ll find you a nice bed for the night. Boy! Let’s go!”

The voice is drawing nearer. He’ll be coming around the corner into this hallway in a few moments. I bolt to the door, bang against the bar but it doesn’t budge, however it’s made a loud noise. The man in the black robe appears at the end of the corridor near the bathroom door. “Stay away from me!” I cry, pushing again on the bar, slamming my body into it.

“You don’t want to go out there, boy,” he says, slowly approaching me. “They’re out there waiting for you.”

“I have to go.” He’s shaking his head, coming nearer. Behind him I see something short, closer to the floor moving and I think it’s some sort of gremlin creeping on all fours behind him. I’m close to freaking out, close to full blown panic. I’m going to die. I know I’m going to die right here in this building, that I’m going to be boiled down to soup and fed to…to…I don’t know what!

And then the gremlin leaps. The man staggers and stumbles. I yelp, slam harder against the door because I’m trapped and have nowhere else to go. The bar clicks and the door suddenly opens behind me. I hear snarling and growling as I’m turning, ready to bolt outside. But what I see freezes me in place for a long moment. I look into the large, brown eyes of a mangy mongrel, a snarling, feral dog. It’s not a large dog, but it’s pinned the man down, one paw on the back of his neck. The paw is white. I blink. The dog stares at me. Its eyes are clear. It just stares.

I could not look into its eyes when I was killing it, when my heart was breaking because I didn’t want to kill it. “Good dog,” I think before turning and running out the door, down the long ramp and into the parking lot. I see shadowy forms coming from around both sides of the church, a swarm of them. I don’t stop, I just keep running.

I’m shivering, my teeth chattering as I stare into the embers of the fire outside my burrow. I’ve buried the carcass of the dog, unable to bring myself to cut it up and roast pieces of it. My supper was a gasping fish I’d found on the river bank. I don’t know if it was diseased or not, a carrier of the virus that’s about wiped out this town. I haven’t seen another living soul in over a week. I’m not sure if the man in the church was alive or not. He seemed to be. The women also seemed to be. But I don’t really know what they were.

The word ghouls runs through my brain and I shudder. The town is haunted by shades, shadows, ghosts, phantoms, and now ghouls. And I’m scared. I’m more scared than I’ve ever been before.

I poke at the embers with a stick. Beyond their red glow I see something dark moving slowly. I warily watch it, thinking it’s a wild animal come to scavenge the fish skin and bones, the head and tail I’d hacked off and thrown aside. But it’s now slinking around the stones I've stacked in a circle to contain the fire. “Go away,” I say, my voice low. A soft whine comes in response. “I’ve got nothing for you,” I say.

And then it comes further around and I see a flash of white. A white paw. “Oh,” I say. The feral dog I killed has come to tear my throat out. That’s the thought that goes through my head. It’s followed me and now it’s going to kill me. “I’m sorry,” I whisper. “I’m so sorry.” I am sorry. Even though it had been suffering and would have died of starvation, I’d had no right to take its life. I’d become no better than a wild animal preying on weaker animals. “I’m sorry.”

The dog crawls on its belly to me, its eyes on mine. It whines softly in its throat. In its eyes I see a need as huge as my own, a longing to belong again to something, to someone. This dog saved my life. Ghost or not, it had appeared in that church and taken down the man who’d intended to have me made into soup to feed his…his what? His flock?

“It’s all right,” I murmur. The dog presses itself close. I can feel it. It feels real enough, solid, but maybe it’s just because I’m so tired. I’m so damn tired that I’m imagining it. Maybe I’m dreaming this. I throw my arm around the dog and snug it closer to my chest. There seems to be some warmth to it. “Are you tired, Ghost?” I ask. “I’m ready to sleep.” I run my fingers through its matted fur. It’s as bony as I am. Flesh drawn taut over bones. Fur. Hair. Real? Phantom? Imagination? Or the manifestation of guilt, fatigue, and hunger?

I ate a fish. I’m ready to sleep. I would have been dead by now if Ghost hadn’t found me and bought me the time I’d needed to get that door open, to escape. I want to sleep, but I need to say this. I need to say it aloud. “Good dog.” The rasp of a rough tongue across the back of my hand makes me smile as I close my eyes. “Good dog,” I murmur.

This story is copyrighted and cannot be used without the author's permission. Contact me through the blog or via email at sebuffum415@gmail.com

Thursday, May 21, 2020

RE:The Clockmaker's Son

It was time to revisit The Clockmaker's Son, my werewolf/lycanthrope novel set in a small New England town which was published by Inklings in May of 2018, two years ago already!! Time flies!

I still love this novel.

So, yes, authors do read their own books and while we read with a critical eye toward errors, or weak spots, we also enjoy our own books even though we know what's going to happen!

The Clockmaker's Son is half horror novel, half love story, and about friendships and relationships in a small town that has seen many animal mutilations. Rumor is that there is a wolf or a pack of feral dogs prowling the woods and swampy areas of the town, preying on farm animals and wildlife. And then a few human victims begin to turn up. Charlotte Rumford walks into her mother's antiques shop and has a too close for comfort encounter with a wolf that walks upright like a man, and then discovers her mother's friend and employee torn to pieces. Charlotte knows what she saw but everyone is writing it off as shock and improbable. Only, it's not.

The Clockmaker's Son is available on Amazon.com and as a Kindle ebook. It's a page turner!

Bolt's Landing Released!

Bolt's Landing my new contemporary romance novel as released on May 12th. It's available at Amazon.com and on other book seller sites, and is also available in the Kindle ebook store.

Tuesday, May 5, 2020

Bolt's Landing in Proof Stage

A new novel will be coming out later this month. Bolt's Landing is in the proof stage where I've done the editing and review for grammar, typos, punctuation errors, spacing, and such. At this point I indulge in a printed proof copy and read it through for continuity issues I may have missed and story flow. If I need to make any fixes from the proof it usually goes quickly. Here is the back cover copy:


Artist Jesse Oakes returns to the Adirondacks where he grew up after the death of his actress wife in California. Disillusioned by the lifestyle he’d led in LA, he opens a gallery on Bolt Lake, joins the local hockey team, and lives a quiet life until wealthy society scion Sebastian Archer commissions him to paint a portrait of his youngest daughter upon her engagement to rich playboy Jared Rhys-Bowen. Archer’s arranged the marriages of all his children to the rich sons and daughters of his business associates, thereby increasing his own fortunes. The Archers do not marry for love they marry for money, Jesse soon finds out as he gets to know the unhappy subject of the portrait he’s painting. He falls in love with Ellisan Archer, but soon the horror of her life, shielded by her family and generous payouts of cash to buy silence, is unveiled. Jesse’s love offers her a lifeline out of the nightmare she’s ensnared in, but will she find the strength to grasp it? Can he save her before it’s too late?