Thursday, March 28, 2019

The Scavenger

Here is the story I wrote and read for Ghost Stories Live! on March 23rd. This one has a western flavor to it, and revisits the hanging man theme, but in a different way from the original The Hanging Man story in the anthology by the same name (The Hanging Man and Other Stories). I hold the copyright to The Scavenger and it cannot be used without my permission.



The Scavenger by Susan Buffum



His left boot heel was loose, fallin’ away from the sole, a few odd bits of hay and some dried mud stuck in the gap like whiskers pokin’ from a dog’s snout. I thought I could fix that boot with a small nail or two and it’d be almost good as new. It’d be a shame to waste a pair of boots when they wasn’t all that worn. The toe was scuffed some, but the kind o’ man lookin’ for a secondhand pair of boots wouldn’t mind that much.

I peered hard at the right boot. Other than a two-inch long scar in the leather of the instep, and the same heavy layer of dust all over, it looked just fine to my eyes. I’d take ‘em just the way they were. They were good boots. I’d be able to sell ‘em right quick enough.

My eyes moved to the pants. Old, made of gray wool, a few faded yellow remnants of stripes up the outside seams. Confederate soldier.  I glanced up at his face, but in the near dark it was hard to tell what he really looked like. Did southerners look any different from northerners? I hadn’t noticed an accent. Maybe he’d bought these pants off a soldier? Or maybe he’d stolen them off a dead body on a battlefield? I was prob’bly better off not knowin’. They still had some wear in ‘em. I’d take ‘em.

The vest was brown canvas, the deep pockets saggin’ but empty. I didn’t expect there to be anythin’ in ‘em anyway. One button was missin’, just a piece of brown thread danglin’, but the other two was still sewn on.

The shirt was striped hickory, white and brown.  I could see a few stains on it, food, prob’bly. It could be laundered. Not too frayed at the cuffs. I could get somethin’ for it, I was sure.

And the coat, well, more wear and tear visible—dusty, dirty, frayed and worn cuffs and collar, some tears that might be mendable with a careful needle and thread. I’d take it, see what I could do with it. And the bandana was still bright red, fairly new. I nodded, satisfied. That was nice.

No hat. No gloves. Belt’d been removed, someone else’s prize.

It’d all need a good launderin’. Truth be told, it all stunk to high heaven. But, it could be washed.

I turned my face up to the evening sky, watching three crows wing by. Purple clouds hung like a pall over the distant blue mountains, obscuring their peaks. A gust of wind caused the branches of the old cottonwood tree to creak like an old granny’s bones. It moaned through the nearly barren branches, rattlin’ what leaves remained on ‘em.

Sighin’, I grabbed the top of the left boot and began tuggin’ downward on it. A few hard pulls and it came free. I tossed it aside and grabbed the other. More resistance with this one. The left leg jerked, the foot kickin’ me in the elbow. “Stop it,” I growled, soundin’ like a feral dog unwillin’ to give up its bone.

With sheer will, I tugged the right boot free. Dusky toes poked through unravelin’ brown yarn. Not worth savin’ by any means. I reached up to unfasten the pants, wrinklin’ my nose, wet material brushin’ against my bare forearm. “No dignity in death,” I muttered as the left leg jerked again, kickin’ my hip this time. “Oh, stop yer fussin’,” I grumbled irritably, workin’ the buttons free one after the other.

The pants fell heavily to the ground. I kicked ‘em aside, duckin’ ‘round behind him to cut his wrists loose. His hands were dusky like his feet, fingers curled like bear claws. My knife sawed through the rope fairly quick and his arms swung free.

I had to haul an old crate over and climb up onto it, but still I had to reach up to grasp the shoulders of his coat to pull it off him. I threw it aside, jumped down, moved around in front of him, reset the crate, and climbed back up. I warned myself not to look at his face.

I warned myself…

…but my eyes rose as of their own will and I found myself lookin’ into wide-open brown eyes, the whites darkened by blood. Some blood had run from his nose and one corner of his mouth leavin’ dark trails behind. Closer up, I could see blood on his shirt and vest in drips and streaks. Well, I could wash it all out, I reasoned. Soak it long enough and it’d all come clean.

I reached up to begin unbuttonin’ the shirt. The vest was already undone. As I worked the second button through the buttonhole the body began to sway and jerk around some. The wind had kicked up again, the tree branches chatterin’ and clackin’ overhead. I shivered. The wind was awful cold.

As I worked the third button free, his arm came up and that claw-like hand grasped my wrist. I thought it was just some weird trick, my wrist becomin’ trapped in the cage-like curvin’ of his fingers, but then I felt those fingers tightenin’ around my flesh and I looked up.

I looked up into the now leerin’ face of the dead man…and suddenly, all around me, like terrible ornaments, a hundred hangin’ men were suddenly danglin’ from that tree, bodies swingin’ and swayin’ in the wind, dancin’ that dead man’s jig I’d seen at every hangin’ since I was a kid.

I screamed and fell backwards off the crate, but that hand, that horrible hand held me fast, my feet danglin’ above the ground. “Let go!” I cried.  “Let go of me!” My voice seemed lost in the wind and the clatterin’ of the branches. My heart felt about to burst. “Let me go!”

The three crows had circled back and were now perched high up in the branches, their raucous cries mockin’ my own cries.

And I knew, I knew as well as I’d ever known anythin’ in this life, that my days of scavengin’, of stealin’ from the dead were over.

RE:Literary Division, US Copyright Office

As an author/writer, I automatically hold the copyright of my written work. I could just include "copyright by Susan Buffum" plus the date I self publish my work on a page in the book, but I wanted to go a little further to protect my work, so decided to apply for the copyright on my self-published books using the TX form to register my published work.

I have done this for every book I've self published, obtaining a registration number on a certificate with the date the book was registered. I've sent along two good copies of each book with the application which evidently go into the Library of Congress.

I have sent quite a few applications along with the $85 fee per book plus the two copies required...and have gotten my certificates in the mail anywhere from 6 to 10 months later (average is 8 months).

Today I received not one, but two separate emails from an examiner by the name of M. Day, Literary Division, Office of Registration Policy & Practices, United State Copyright Office.

The first was in regards to my application for The Hanging Man and Other Stories. This diligent examiner had been going over my application and looking through the copies of the book I'd sent with it. The examiner was writing "to clarify the extent of the copyright claim" after noticing that the artwork on the cover was drawn by me and credited to me inside in the text pages of the book. (Wicked observant examiner! I'm impressed!)

I was asked if my copyright claim actually extends to the cover artwork, and if so and the artwork had not been previously published or previously registered, asking me to authorize M. Day to add "2-D artwork" to my authorship statement.

I duly authorized M. Day to add the cover art to my claim. Sweet!

Email #2 was in regards to the self-published book Disturbing, which is an anthology with stories written by both me and my daughter Kelly. I really wasn't sure how to complete the form for this one with both of us jointly authoring the text portion.

I was asked to authorize the change of the word "stories" to "text" in the application, which I did.

M. Day then went on to explain we created a joint work. "A work is considered a joint work if the authors intended for their contributions to be merged into an inseparable whole. The authors of a joint work jointly own the copyright in each other's contributions and each owns an undivided interest in the work as a whole. This means that each author has a right to use or license the work. On the other hand, a work is not a 'joint work' if each author owns his/her contribution only."

I was surprised to hear from the copyright office, and happy I hadn't messed up my email address on the application as I sometimes do!

The emails were brief, courteous, helpful, and informative. They were easy to respond to. Issues were resolved quickly and satisfactorily.

So, yes, when you mail off the application, check, and copies of your book it does land in a real office where real people review your application and look through the printed pages of your book and take note of artwork and photographs on the covers.

It was a positive experience, and a learning experience today.





One of My Black Squirrels Was Chosen

I am so thrilled that Acorn, one of my black squirrel pen & ink drawings was chosen to grace the reverse side of one of the special wooden nickels made to celebrate Westfield, MA's 350th anniversary. The wooden nickels will be hidden at 14 locations around the city, geocached for treasure hunters to find. I'm excited about being included in the 350th anniversary of my home town!
Here's Acorn. His image is reversed on the coin.

Friday, March 22, 2019

Maybe a little Western ghost story?

I have less than 24 hours to write a brand new ghost story for tomorrow night's Ghost Stories Live! I started one, but it stands at over 2,000 words already. It's creepy, atmospheric, but already far too long to comfortably read aloud to a small audience.

So, I've been sitting here racking my brains...something different. What haven't I written yet?

My hubbers is in the living room watching westerns on TV.

Well, I haven't written a western ghost story yet....so, let's give that a whirl!

Stay tuned!

Sunday, March 17, 2019

Rookdale

I was on the hunt for Rookdale this evening and finally found the typed 109 pages of the manuscript after discovering 59 pages of edited text in a binder in the dining room and knowing 'd written more than 59 pages! It was a relief to find the 109 pages on a USB drive.

This is the partial novel for which I drew a detailed map of the entire seacoast village! The map is even colorized! That map has been sitting on the dining room table for over a year.

I'm thinking that after Memento Mori:Garnet & Quella goes through editing and some rewrites I'll get around to finishing Rookdale, a story about witches in New Hampshire (or maybe it was the coast of Maine...I'll have to check that since New Hampshire really doesn't have that big of a coastline...so it may have begun in NH just after Salem and then those involved moved north into Maine.

Anyway, the origin of this story was a short story called The Cat's Tale, that may not have been published an any anthology yet. It's about a young female witch who is annoyed by a neighbor's yellow cat, Leo. He hisses and swats at her when she walks past the fenced yard, so she decides to use a sell to transform the miserable cat into a pig which will be confiscated since farm animals are not allowed in the neighborhood per town ordinance. Well...the cat escapes and turns up on the roof of her garage. She lures it into her bedroom and down to the kitchen where se mixes the potion she's made and has in a vial with a can of tuna fish and feeds it to the cat. Well, the cat transforms, but it doesn't transform into a pig! She's unwittingly drawn into a family feud that dates back to the 1600's when a wicked magistrate condemned Mercy Cooper to death for witchcraft. Only Mercy, it's said, transformed herself into a crow and pecked out the eye of the magistrate as they were coming to haul her away from her farm home.

I think I'm finally ready to finish this novel, once I get Memento Mori: G&Q polished up for publication.

Then maybe I'll be able to turn my attention to the long neglected romance novel Spindrift.

Monday, March 11, 2019

30 Plus Attempts When One Would Have Been Enough

For about the past ear or so, I have written over 30 versions of the same story. Well, I say written, but I mean I have begun writing that many versions of the same story and completed one manuscript, which I evidently wasn't happy with because it ended up in a stack of a half dozen or so partial manuscripts on a file box in front of the dining room window where it's been quietly collecting a fine layer of dust.

Yesterday, due to more snow and a little ice, I grabbed the one completed manuscript from the stack, sat down and began reading it through. I'm 1/3 of the way through (it's nearly 300 pages typewritten single-spaced)...and the story I didn't think was going anywhere has really surprised me. I think, once I've read this through, I may be able to tweak it to include elements I incorporated into other versions of it that I liked, but that didn't make it into this version since I hadn't thought of them yet. I can also lose some f the content to make room for these other elements.

It'll be a big piece f work, but I've done stuff like this before...hacked two versions apart and sewn them seamlessly together as one novel...I am the Dr. Frankenstein of stitching parts of various versions of novels together to make a whole. "It's alive!"

I think the only other novel of mine that went through more than a dozen versions after originally being conceived as a short story or novella, was Life Skills. There are four short stories that go together, plus a novella with the same characters, plus a Christmas story that was tacked into the back of the novel as a stand alone holiday story set a few years into the future. (I did the same thing with one other novel, added the stand alone holiday story at the end, and that was Talon:The Familiarity of it All)

While on that kind of novel/short story/novella linked stories, The Subtlety of Light and Shadow, a romance set in an art community in the Adirondacks, has a re-envisioned novella called Not Always Black & White which is included in Love Me Knots, an anthology of love stories. Rex Royce was my first antihero- a guy you hate, at first, but who is revealed for who he really is through his developing relationship with a young woman, Lucie Palmer, who takes a job in his gallery and becomes his muse. This earned high marks from four of five judges in the Romance Writers of America Golden Hearts contest in 2015, but irked the fifth judge no end who did not see Rex as a romantic hero. It made me question that judge's position on a romance novel judging panel because Rex has some similarities to Rhett Butler. That judge probably would have disliked Rhett, too! Not all romance heroes are 100% lovable good guys.

Which brings me back to Memento Mori: Garnet & Quella. Garnet is flawed, but so is Quella. It's their flaws that draw them together and make them shine in one another's eyes. That and the fact that their namesakes back in 1873 were romantically involved, but he died unexpected after a brief illness, and she died seven months later in childbirth. In the present day, Garnet and Quella are attempting to piece together Garnett and Quella of 1873-74's brief history as a lovers. Quella in the present day is sensitive to the ghost of Garnett who is attached to her Garnet in the present day. Garnett wants them to find his Quella who seemed to vanish after death.

Memento Mori: Garnet & Quella, is the first in a series of romances in which ghosts play a role.

Anyway...30 something attempts, most written after the complete manuscript was finished and then tossed aside as not good enough, I am taking a second look at that novel and finding it really wasn't as bad as I thought it was.

Thursday, March 7, 2019

My Artwork Now Has a Retail Site

I have finally gotten around to setting up an etsy.com shop. If you are interested in wildlife and bird pen and ink art prints (I believe Kelly added an art page to this blog where the pictures are displayed), you can now go to etsy.com and search for my shop BicycleCityArtworks where more than a dozen black squirrel drawings and sixteen animal and bird prints are currently for sale. I need to add 9 more animal and bird prints but ran out of time tonight.

Besides writing, drawing with pen and ink has always been a passion of mine. I took up the pen and ink again in September 2018 to draw two different black squirrels (prolific here in Westfield, MA) for International Art Drop Day. People were pinging my phone looking for hints before I was even away from the drop sites and notifying me that the art had been found before I got to work that morning!

The medical office where I work s decorated with may of my pen and ink art prints. I hang a different print each week in my cubicle and it draws a lot of comments from coworkers and patents coming to my desk. It gives people who are not feeling their best something soothing to look at. I like the idea of small art prints in cubicles for that purpose! I currently have Kip the Fox Kit hanging in my workspace. Last week it was the tiger cub. Next week it will be the snow leopard!

Visit my etsy shop to check out all the art prints. My books are all available on Amazon.com and in the Kindle store as usual.

Tuesday, March 5, 2019

Busy Doing This & That

This is a busy time of year for me. I'm considering which books to enter in this year's Best Book Award Contest. Last year, The Hanging Man and Other Stories was awarded a Finalist position. I could put the Finalist sticker on the front cover. I'm thinking abut entering butterscotch this year, but need to check the publication date as only books published n 2017 & 2018 are allowed. I might also enter a novella or two just to be different. I have until the end of the month of chose and get them entered.

Aticulture2019 is approaching. Now is the time when I (I'm a board member of a local nonprofit group that supports cultural arts in town) line up the authors who will be appearing at the event. This year I am striving to fill 14 author tables. I heard from two more authors today confirming their participation, so hat leaves me with one table still to fill. 'm always relieved that I know so many local authors and a publisher and a book store owner who can steer me toward other local authors. It also helps that Kelly and I have 50 members in our WhipCity Wordsmiths authors/writers social and support group. That gives us quite a pool of talent to draw from. I'm excited about the event this year as I have some new authors to feature and some favorites from the past three years. I'm also excited that I will be participating this year for the first time as an author/artist! As a consequence, I got White Bishop Among the Pawns published, and have been busy making pen & ink art prints of both my black squirrels and all my other wildlife, domestic animals, and birds prints. I've also been making keychains with two mini pen & ink art prints inside for this event and others I'll be doing throughout the year.

I've been drawing a lot of dogs for co-workers and family since just before Christmas. Now I'm being asked to draw cats, too! I practiced with cats by drawing my own cat, Riley Beans. He came out pretty well.

On the home front, I've help Kelly move some more things to her house. The final move in date is approaching. It's been chaotic here while she's been hauling things out of the cellar and packing up more things in her room and from around the house.

Meanwhile, our stove decided to burn the turkey John was roasting for dinner  a week and a half ago. This is the fourth or fifth time the self-clean feature kicked on during oven use and toasted what we were baking/roasting. We went right out in a strong wind storm to order a new stove the next evening (it happened on a Sunday night). We narrowly missed a pine tree falling across the road. The stove was supposed to be delivered tomorrow, but we got word yesterday there was a delay at the warehouse, so now it's being delivered on Friday. I can hardly wait to be able to bake again!

And finally- work has been crazy busy as patients change insurances and formularies change with the new benefit year. The baby boomers are beginning to have more need for durable medical equipment and services post surgical procedures, etc. I think my job has at least tripled in the amount of paperwork I have to deal with and how busy I am in the past nearly 12 years that I've been doing it. For the past few years I have been working hard to convince myself I can do this one more year. With my own health issues and chronic fatigue due to RA, it gets harder every year, but I'm not ready to give up yet.

I wear a lot of hats, but I can't complain. I love the people I've met along my various paths. Many of them share or understand my own passions in regards to writing and art. Some of them make me laugh. Some of them make me thankful for the life I have. When I look back on where I was ten years ago, or five years ago, or even three years ago- I am simply amazed that I am where I am right now!

In May of 2019 I will have officially been a published author for four years. In September 2019 I will have officially been an artist again for one year. Two of my novels have been shortlisted in writing contests (2016 & 2017), and one anthology has been awarded finalist status (2018). One of my  BicycleCity Black Squirrel pen & ink drawings has been chosen to appear on a wooden nickel that celebrates the 350th anniversary of the founding of the city of Westfield, MA where I live. I've been interviewed on a local radio program. People are beginning to recognize me around town and at places where I do business. It kind of freaks me out a little on one hand, and amazes me on the other.

It all keeps me busy...so if I have gaps in my blog, it's only because I am doing a dozen or more other things!